Sunday, September 29, 2013
Me and Polymer clay
More on me and polymer clay:
After my hands were rehabbed and I could start testing what I could do and not do, I got my clay out and started exploring what I would do with it. There is something so internal about the kneading of clay. There is an internal memory, one of which I am not aware. But, just touching the clay and holding the clay is comforting and inspiring.
In 1993 there were two kinds of clay available to me: Fimo Classic and Sculpey III. I tried them both. I struggled with Fima Classic clay and Sculpey III was too soft. I used the Sculpey III at first because it was easy to condition. I kept trying the Fimo Classic. I bought a food chopper to chop the Fimo into bits. That was a big help! I bought a pasta machine. That helped more and helped keep from re-injuring my hands.
When I found the New Clay book, I also bought 2 Maureen Carlson books with characters to sculpt. My first clay creation was her little Elf in the Sea Shell. I made the Singing Monk, the Monk carrying a Pie, a Dragon, a pumpkin, the Unicorn..... I had discovered what I would do with polymer clay! Sculpt!
At the Embellishment Show in 1999 in Portland, Oregon my hubby, Dew, and I took a class from Debbie Krueger. A basic caning class. Dew, Debbie and I hit it off. We felt as if we had known each other forever. It was a blast! The next day I took Debbie's Turtle cane class. In 2000 I taught a Bead Knitting class and took another one of Debbie's classes with my friends Kathy and Leslie. Debbie's Fish cane class. That was fun! I made a clown fish cane. I found myself only creating canes. In creating canes you also create lots of "waste". And I mean LOTS!
By this time I was using Fimo Classic exclusively. I had figured the conditioning regimen. I learned to make what are called now Natasha beads or In-Side-Out beads. I have a Chewbaca bead made from some of the Fish cane leftovers.
In the Spring of 2000 Dew and I sold our house and bought a 34' Bounder RV. We have all seen a RV/camper fridge and how tiny they are. Well, ours also accomodated my clay! There were times when we were traveling through hot weather that there was more clay in the fridge than food! No kidding!
To be conintued..........
After my hands were rehabbed and I could start testing what I could do and not do, I got my clay out and started exploring what I would do with it. There is something so internal about the kneading of clay. There is an internal memory, one of which I am not aware. But, just touching the clay and holding the clay is comforting and inspiring.
In 1993 there were two kinds of clay available to me: Fimo Classic and Sculpey III. I tried them both. I struggled with Fima Classic clay and Sculpey III was too soft. I used the Sculpey III at first because it was easy to condition. I kept trying the Fimo Classic. I bought a food chopper to chop the Fimo into bits. That was a big help! I bought a pasta machine. That helped more and helped keep from re-injuring my hands.
When I found the New Clay book, I also bought 2 Maureen Carlson books with characters to sculpt. My first clay creation was her little Elf in the Sea Shell. I made the Singing Monk, the Monk carrying a Pie, a Dragon, a pumpkin, the Unicorn..... I had discovered what I would do with polymer clay! Sculpt!
At the Embellishment Show in 1999 in Portland, Oregon my hubby, Dew, and I took a class from Debbie Krueger. A basic caning class. Dew, Debbie and I hit it off. We felt as if we had known each other forever. It was a blast! The next day I took Debbie's Turtle cane class. In 2000 I taught a Bead Knitting class and took another one of Debbie's classes with my friends Kathy and Leslie. Debbie's Fish cane class. That was fun! I made a clown fish cane. I found myself only creating canes. In creating canes you also create lots of "waste". And I mean LOTS!
By this time I was using Fimo Classic exclusively. I had figured the conditioning regimen. I learned to make what are called now Natasha beads or In-Side-Out beads. I have a Chewbaca bead made from some of the Fish cane leftovers.
In the Spring of 2000 Dew and I sold our house and bought a 34' Bounder RV. We have all seen a RV/camper fridge and how tiny they are. Well, ours also accomodated my clay! There were times when we were traveling through hot weather that there was more clay in the fridge than food! No kidding!
To be conintued..........
Saturday, September 28, 2013
Me and Polymer Clay
Nearly exactly 20 years ago I discovered polymer clay and more specifically Fimo Classic polymer clay and a most amazing book: The New Clay by Nan Roche.
We had just moved to a new town and were looking for a house to buy. I found this new toy and it helped me deal with the stress of this move. We had lived for 13 years in what I thought would be my home for the rest of my life. But, my husband, 2 sons and I decided to move to Grants Pass, Oregon, 110 miles west. There was a better school. We would be closer to town. We were living 31 miles from the nearest big town, Klamath Falls, and 1.5 miles down a washboard dirt road in the summer and a mud pit dirt road in the winter. Yes, we chose to live there. I loved it there. I could ski out my back door in the winter and ride my horses in the forest anytime.
Now, back to the clay story.....
Nan Roche's book was the only book on polymer clay in 1993, at least the only one I knew of. I was fascinated by what CityZen Cane and others were doing with this stuff! Amazing!! I struggled to get the clay conditioned, but kept at it. And while I was excited to explore this new medium, my hands were rebelling.
In the meantime we found a house on 3 acres of pasture. This time it was my husband's turn to have his dream place, a mini hay farm. One of the bedrooms became my studio, we all settled in and I went to hand therapy. My hands had gotten so bad I couldn't pick up a glass and could barely hold utensils.
I had 3 months of no beading, no playing with clay, no using my hands for anything but the essentials. I learned what would make them hurt and how to do that task without hurting them. I played flute for my own entertainment and took a lesson to learn how to play without hurting my hands. Basically I learned that I was holding my flute all wrong to start with!
Sorry.... I get sidetracked... this story is about me and polymer clay.
So, on Thurs. this week I got my clay out to take a break from the beady Dragon patterns. Once I get clay out it is out for a while. For some reason it takes me a day or two to find my groove. To decide what I want to do. I rarely know when I start. I only know I want to play with clay!
When I look at what I make I am happy with some of it and disappointed with most of my work. After 20 years I think I should be better at knowing what I want to do and carrying out a technique. My end product tends to be accidental. I have written before about wanting to create a clay project with "intention". Something I intend to have happen, not the accidents of rolling up all the scrap I create and making a few interesting beads.
Which brings to me to the point of all this rambling:
I decided to mix up colors. More specifically, Julie Picarello colors. I love her book: Patterns in Polymer Clay: Imprint and Accent Bead techniques. If I could only keep one polymer clay book (I can't imagine why that would happen. And WHAT A NIGHTMARE!), this is the book I would keep. The book has wonderful creative projects and great ways to create unique beads and pieces to use in your beadwork. But, the best thing about his book is that Julie gives you specific color recipes for the colors represented in each project. She also has information about the different clays and how to adjust for the different color qualities of each or where to find information on how to make a Premo color with Kato clay (the clay I use).
Yesterday I ordered more clay and as usual I discover after I have placed the order that there a about 4 more colors I should have gotten. I get primary colors and mix from there, but I forgot to get the metallics I need as my metallic bases. Sigh. So, guess what I am doing after I post this!?!?? Yep. To order those metallics I didn't yesterday.
Now, once I get all these colors mixed up, then what will I do with them? Uh-Oh! I dont' have a clue.
All things beady,
Cindy
We had just moved to a new town and were looking for a house to buy. I found this new toy and it helped me deal with the stress of this move. We had lived for 13 years in what I thought would be my home for the rest of my life. But, my husband, 2 sons and I decided to move to Grants Pass, Oregon, 110 miles west. There was a better school. We would be closer to town. We were living 31 miles from the nearest big town, Klamath Falls, and 1.5 miles down a washboard dirt road in the summer and a mud pit dirt road in the winter. Yes, we chose to live there. I loved it there. I could ski out my back door in the winter and ride my horses in the forest anytime.
Now, back to the clay story.....
Nan Roche's book was the only book on polymer clay in 1993, at least the only one I knew of. I was fascinated by what CityZen Cane and others were doing with this stuff! Amazing!! I struggled to get the clay conditioned, but kept at it. And while I was excited to explore this new medium, my hands were rebelling.
In the meantime we found a house on 3 acres of pasture. This time it was my husband's turn to have his dream place, a mini hay farm. One of the bedrooms became my studio, we all settled in and I went to hand therapy. My hands had gotten so bad I couldn't pick up a glass and could barely hold utensils.
I had 3 months of no beading, no playing with clay, no using my hands for anything but the essentials. I learned what would make them hurt and how to do that task without hurting them. I played flute for my own entertainment and took a lesson to learn how to play without hurting my hands. Basically I learned that I was holding my flute all wrong to start with!
Sorry.... I get sidetracked... this story is about me and polymer clay.
So, on Thurs. this week I got my clay out to take a break from the beady Dragon patterns. Once I get clay out it is out for a while. For some reason it takes me a day or two to find my groove. To decide what I want to do. I rarely know when I start. I only know I want to play with clay!
When I look at what I make I am happy with some of it and disappointed with most of my work. After 20 years I think I should be better at knowing what I want to do and carrying out a technique. My end product tends to be accidental. I have written before about wanting to create a clay project with "intention". Something I intend to have happen, not the accidents of rolling up all the scrap I create and making a few interesting beads.
Which brings to me to the point of all this rambling:
I decided to mix up colors. More specifically, Julie Picarello colors. I love her book: Patterns in Polymer Clay: Imprint and Accent Bead techniques. If I could only keep one polymer clay book (I can't imagine why that would happen. And WHAT A NIGHTMARE!), this is the book I would keep. The book has wonderful creative projects and great ways to create unique beads and pieces to use in your beadwork. But, the best thing about his book is that Julie gives you specific color recipes for the colors represented in each project. She also has information about the different clays and how to adjust for the different color qualities of each or where to find information on how to make a Premo color with Kato clay (the clay I use).
Yesterday I ordered more clay and as usual I discover after I have placed the order that there a about 4 more colors I should have gotten. I get primary colors and mix from there, but I forgot to get the metallics I need as my metallic bases. Sigh. So, guess what I am doing after I post this!?!?? Yep. To order those metallics I didn't yesterday.
Now, once I get all these colors mixed up, then what will I do with them? Uh-Oh! I dont' have a clue.
All things beady,
Cindy
Wednesday, September 11, 2013
The latest Tutorial: Dragon's Tail Talisman and Ring
I am finally getting this Dragon's Tail Talisman Tutorial posted! The last I wrote I was trying to do the whole Dragon in one tutorial. The tutorial was waaaaaay too big so I am breaking it down into two tutorials: Dragon Tail Talisman and Ring and then the Dragon Head Tutorial soon.
You can find them in PDF format for instant download at:
bead-patterns.com
etsy.com/ccbeadwork2
OR
You can contact me via email. I keep more of the money if you go through me.
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